In the fundamentally dual religious schema in Japan, ideologies and traditions mulct a heavy role in the everyday support of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism access in from mainland Asia. A specially federal agencyful idea from Buddhism is monaural no aware, the realization and credit of the impermanence and its place in the world. This idea that cryptograph be the same unendingly manifests itself intemperately in Japanese literature, whether in personal writings or fictional run aways. Despite spanning hundreds of years, individually work was shaped by and include manifestations of mono no aware. I intend to stress and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences betwixt them. In this paper, I direct three works that I will explore, each cardinal corresponding to a diametrical time period to begin with the pre-industria l revolution; The Diary of doll Murasaki comes from the classical period, Es declares in idling from the medieval, and the immensely popular play Chushingura from the pre-modern era.\nKenko, the Buddhist monk and germ of Essays in Idleness, took great bliss in the idea of impermanence. A hefty amount of this work deals with Kenko talking about Buddhist value and the beauty of exchange. He felt that if man was neer to fade like the dews of Adishino, neer to vanish like the wad over Toribeyama, but lingered forever in the world, how things would lose their power to move us!(Essays in Idleness, 7). This quote, directly from Kenos mind, demonstrates just how greatly he holds Buddhisms mono no aware in esteem. If everything was to plosive static in this world, nothing would seem beautiful. Kenko goes on to say that nothing in life is more precious than incertitude(Essays in Idleness, 7). Again, this reinforces how greatly Kenko values the constant nature of change in the world. However, it is import...