Analysis of: THE EIFFEL TOWER (1910-11), ROBERT DELAUNAY FEELING, ENERGY, AND COLOUR. Like Leger and the futurists, he valued to express the dynamism of the break a panache age. He oft multi-colour the Eiffel rule, which was regarded by avant-garde artists as the ultimate symbol of the car age. In the Eiffel tower series he experimented with fragmentation of form. The ladened and easily recognizable motif of the Eiffel tower shatters and planes merge with the forms of the echo buildings. He frequently repeated the same subject some a(prenominal) times as this allowed him to explore new techniques. Delaunays Eiffel reign differs from key and analytic cubism in terms of the role that colour plays. He was very interested in the analytical period of the hammer of Picasso and Braque and used their analytical techniques. But he disapproved of their rejection of colour, once remarking that these boys induce with spider websÂ. In this move, particularly with regar d to the image of the Eiffel Tower itself, we see a real concern with colour. Delaunay thought that it had an difficult role in creating energy and movement.
This brings a certain leaky quality to the work, as opposed to the clinical, pu aver positive analytic cubist works. The chaotic fragmented structure of this work is overly different to early and analytic cubism in the way that it doesnt rely so much on the cubist grid, heart that the focus on physical structure is not so all-important(a): rather, feeling, energy, and colour. If you want to get a full essay, order it on our website:
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